Shutting off the talent pipeline into the creative industries risks the UK’s reputation for creativity and its potential for growth, says Anne Carlisle
The Holberg prizewinner describes how she forged a new discipline in response to the ‘theoretically thin’ and ‘historically unimaginative’ art history she was trained in
The ‘transvestite potter’ is used to creating a stir, but is his freewheeling approach a benefit or a curse when it comes to being a university chancellor? And should art schools still tolerate students like him? Matthew Reisz fires the questions
Performance art is inherently ephemeral and can be highly controversial. But Matthew Reisz hears why the blood-soaked relics from one performer’s challenging shows are worth preserving and studying
Complaints about depictions of contentious historical figures should be met with sensitivity and a firm grasp of the facts, says Felipe Fernández-Armesto
The fashion designer talks about treating a university education like a nine-to-five job, the importance of student interaction and defying graduation clothing convention