Juilliard School: reaching out across the city and the world Outgoing president says the arts are more important than ever in these troubled times By Matthew Reisz 26 March
Academics make the case for forgotten female composers Neglected works set to be broadcast on BBC Radio 3 By Matthew Reisz 8 March
The Political Orchestra: The Vienna and Berlin Philharmonics during the Third Reich, by Fritz Trümpi Neil Gregor on the various types of orchestral life under the Nazis By Neil Gregor 9 February
Life and Death on the New York Dance Floor, 1980-1983, by Tim Lawrence Book of the week: Hillegonda Rietveld on the fierce creative energy of Big Apple clubs in the early Eighties By Hillegonda Rietveld 29 September
Just Around Midnight: Rock and Roll and the Racial Imagination, by Jack Hamilton Emma Rees is happily lost in a Sixties’ soundscape but wonders why there are so few female artists By Emma Rees 22 September
Music and Capitalism: A History of the Present, by Timothy D. Taylor Hillegonda Rietveld on the consequences of a cultural shift from musical creativity to profit By Hillegonda Rietveld 5 May
Classics for the Masses: Shaping Soviet Musical Identity under Lenin and Stalin, by Pauline Fairclough Neil Gregor on a fine study of the ever-changing landscape of orchestral musical politics in Moscow By Neil Gregor 31 March
Sound: An Acoulogical Treatise, by Michel Chion David Revill on a provocative and insightful work that explores our creative and ambient sonic environment and how we perceive it 3 March
On Sondheim: An Opinionated Guide, by Ethan Mordden Ken Plummer on a lively and provocative run-through of 18 major works by the towering figure of musical theatre By Ken Plummer 25 February
Now is the time for universities to back the creative arts The creative industries are a good career choice now, and higher education should respond, says Anne Carlisle By Anne Carlisle 16 February
Baby You’re a Rich Man: Suing The Beatles for Fun and Profit, by Stan Soocher A study of the Fab Four’s legal woes reveals their naivety and reads like a thriller, says Martin James By Martin James 4 February
The O2 and Ravensbourne: a perfect match between neighbours Students get a chance to develop a wide range of creative skills at the neighbouring world-famous arena By Matthew Reisz 28 January
Making music from physics: a different kind of composer-in-residence Drew Mulholland explains how his unique role at the University of Glasgow is at the heart of cross-disciplinary conversations By Chris Havergal 21 January
How David Bowie opened my eyes to academia Martin James owes his love of writing, and his university career, to the late music legend By Martin James 11 January
PJ Harvey meets Paul Muldoon in first of St Andrews ‘Soundings’ Writers meet musicians in the University of St Andrews’ new series of experimental conversations By Matthew Reisz 29 October
World University Rankings 2015-2016 by subject: arts and humanities results UK maintains its strength in the arts while US loses ground By Ellie Bothwell 21 October
Institute of Musical Research starts life anew at Royal Holloway The new-look IMR aims to support and showcase studies across the musical spectrum By Matthew Reisz 8 October
Scholar is spending a year ‘as David Bowie’ Kingston academic Will Brooker pioneers a new kind of immersive research By Matthew Reisz 17 August
Iranian doctoral student's opera has international appeal PhD student’s Anglo-Iranian composition to be performed at London opera festival By Matthew Reisz 6 August
Julian Lloyd Webber takes helm at Birmingham Conservatoire New principal sets out his vision for the institution By Matthew Reisz 26 July
Funding fears as mental health demand soars Hefce study shows 132 per cent rise in number of students reporting a mental health problem By Chris Havergal 23 July
English and art students ‘most likely to express passion’ in Ucas applications Analysis by admissions service finds medicine and accountancy students emphasise career aspirations By Chris Havergal 23 June
After Django: Making Jazz in Postwar France, by Tom Perchard Les Gofton on a compelling study of a musical subculture 7 May
Vinyl: The Analogue Record in the Digital Age, by Dominik Bartmanski and Ian Woodward News of the death of the iconic disc has been greatly exaggerated, says Hillegonda C. Rietveld 19 February
Resonances of the Raj: India in the English Musical Imagination 1897-1947, by Nalini Ghuman Andrew Blake appreciates a new view of the relationship between Empire and cultural hybridity 9 October
School for Cool: The Academic Jazz Program and the Paradox of Institutionalized Creativity, by Eitan Y. Wilf Does formal teaching of jazz contradict the improvisation that is at its core? Trevor Herbert examines the evidence 14 August
Arnold Schoenberg’s 'A Survivor From Warsaw' in Postwar Europe, by Joy H. Calico David Revill explores a composer’s symbolic musical remigration during the early Cold War 10 July
Religio Duplex: How the Enlightenment Reinvented Egyptian Religion, by Jan Assmann, translated by Robert Savage James Stevens Curl on the Egyptians’ concept of dual religion - an official, outer face and an inner, secretive aspect 22 May
Pilgrimage to Dollywood: A Country Music Road Trip through Tennessee, by Helen Morales An autobiographical tale of country music fandom resonates with Susan Deacy 24 April
Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording, by David Grubbs David Revill tunes in to an ambivalence about capturing live musical performances 27 February
Shakin’ All Over: Popular Music and Disability, by George McKay Anna Hickey-Moody on study of how performers have addressed disability in their compositions and performances 30 January
Sonic Wonderland: A Scientific Odyssey of Sound, by Trevor Cox David Toop is charmed by an exploration of the pains and pleasures of the noises around us 16 January
Richard Wagner: A Life in Music, by Martin Geck Barbara Eichner on a different kind of biography 14 November
Mozart’s Ghosts: Haunting the Halls of Musical Culture, by Mark Everist Mark Berry on what lies behind the modern reverence for Mozart’s music 26 September
Ubiquitous Listening: Affect, Attention, and Distributed Subjectivity by Anahid Kassabian We can’t hear ourselves think over all this music, warns David Revill 4 July
No Medium by Craig Dworkin David Revill on diverse art forms that focus on, literally, nothing 18 April
Benjamin Britten: A Life in the Twentieth Century by Paul Kildea Kate Kennedy praises a biography that examines the contradictory aspects of the composer’s character 7 March
In Search of a Concrete Music by Pierre Schaeffer David Revill on the creator of an unconventional musical genre 28 February
Vinyl: A History of the Analogue Record by Richard Osborne The medium and the music it made possible inspire a groovy kind of love in Les Gofton 21 February
Unfree Masters: Recording Artists and the Politics of Work by Matt Stahl Hillegonda Rietveld reviews a study of recording artists as cultural workers 7 February
Voice of America Talking dust-bowl blues: historian and resolutely amateur musician Will Kaufman hymns the world of Guthrie and Steinbeck By John Gill 16 October
Clubbing together Lecturer Rebekka Kill's love of DJ-ing and popular music led her to build links between academe and Britain's vibrant creative industries 9 October
Off Piste: Grand masters of vinyl Prog rock devotee Greg Walker takes an affectionate look at an intelligent and gloriously ambitious genre, and asks us to celebrate the era when rock's dinosaurs roamed the Earth 11 September