Not all enterprise is private
Adam O'Boyle outlines how student-led third-sector bodies can offer institutions social and financial benefits
Adam O'Boyle outlines how student-led third-sector bodies can offer institutions social and financial benefits

Hefce admits that the multimillion-pound Cetls scheme had minimal impact on student learning. Paul Ramsden is not surprised

More democratic, more accountable and closer to its members: Sally Hunt says her planned UCU reforms will engage it with society
Students' unions now focus on cooperation, not opposition, says Paul Greatrix

"A commercial breakthrough." That was how Desmond Ponzi, the manager of our staff snack bar, The Big Hub, described the fundamental changes he is making to his current "retailing strategy".From now...

Economic crisis leaves French politicians tight-lipped on universities budget. Clea Caulcutt writes

ERC leader Helga Nowotny talks to Paul Jump about concentration, competition and the future
A weekly look over the shoulders of our scholar-reviewers

Presidential hopefuls' attitudes to sector range from indifference to hostility. Jon Marcus reports
• Racism is usually blamed on complex factors such as socio-economic background, peer group influence and political propaganda, but one academic study has suggested that rock music also has a case to...
The dearth of funds to invest in teaching today makes the Cetls' meagre legacy all the more disappointing
Throughout the history of the US, the nation has drawn strength from its large, established middle class - families who owned homes, saved for retirement and lived in relative security. They could...

This "flying machine" is suspended from the ceiling of the Athena Building in Teesside University, where it forms part of a suite of 26 pieces called Dream Migration.
University of Western OntarioMichael MildeThe newly appointed dean of the University of Western Ontario's Faculty of Arts and Humanities believes that people should not be discouraged from studying...

Discussion of the merits of paired works used to be a sociable pastime. Has the fashion for chronological museology narrowed our experience, asks Sheila McTighe