Still Lives: Death, Desire, and the Portrait of the Old Master, by Maria H. Loh
Pigment and poison mix in a study of Renaissance artists’ nascent fame, says Tracey Warr
Pigment and poison mix in a study of Renaissance artists’ nascent fame, says Tracey Warr
Tracey Warr on a broad survey that outlines women’s exclusion from an artistic movement
Tracey Warr on a pair of masters who, with ethereality and earthiness, respectively, puts the captivatingly quotidian on canvas
Tracey Warr extols a study demonstrating an artist’s deep engagement with the theories, practices and works of his peers
Tracey Warr on the middlemen and artists who decide what their works should be called